Sunday, May 31, 2009

Are They Wrong???

At first glance of these two sketches, the one-point perspectives seem like incorrect. I didn't say that what I did was correct; but actually they could be absolutely right to some extent!

Before explaining the reasons for this, one renowned architecture should be displayed here:

Image reference:

Can you imagine the plan of this square???
(You may get wrong if you don't think carefully!)

To check the answer, click here:

(Can you see that: actually the two sides of
St Peter's Square
are not parallel... )

Now, let's go back to the first question!
Think about it: do they have to be the 'F' as a regular one?

Here is a different 'F':

To be honest, I did this F-shap one-point perspective in a wrong way when I was drawing it. However, usually the 'wrong' thing be a absolutely right...

Do not be constrained by Directed Thinking all the times when you are designing something creative!

One-point, Two-points and Three-points Perspective

One vanishing point is typically used for roads, railroad tracks, or buildings viewed so that the front is directly facing the viewer. Any objects that are made up of lines either directly parallel with the viewer's line of sight or directly perpendicular (the railroad slats) can be represented with one-point perspective.
One-point perspective exists when the painting plate (also known as the pixture plane) is parallel to two axes of a rectilinear (or Cartesian) scene — a scene which is composed entirely of linear elements that intersect only at right angles. If one axis is parallel with the picture plane, then all elements are either parallel to the painting plate (either horizontally or vertically) or perpendicular to it. All elements that are parallel to the painting plate are drawn as parallel lines. All elements that are perpendicular to the painting plate converge at a single point (a vanishing point) on the horizon.

Two-point perspective can be used to draw the same objects as one-point perspective, rotated: looking at the corner of a house, or looking at two forked roads shrink into the distance, for example. One point represents one set of parallel lines, the other point represents the other. Looking at a house from the corner, one wall would recede towards one vanishing point, the other wall would recede towards the opposite vanishing point.
Two-point perspective exists when the painting plate is parallel to a Cartesian scene in one axis (usually the z-axis) but not to the other two axes. If the scene being viewed consists solely of a cylinder sitting on a horizontal plane, no difference exists in the image of the cylinder between a one-point and two-point perspective.

Three-point perspective is usually used for buildings seen from above (or below). In addition to the two vanishing points from before, one for each wall, there is now one for how those walls recede into the ground. This third vanishing point will be below the ground. Looking up at a tall building is another common example of the third vanishing point. This time the third vanishing point is high in space.
Three-point perspective exists when the perspective is a view of a Cartesian scene where the picture plane is not parallel to any of the scene's three axes. Each of the three vanishing points corresponds with one of the three axes of the scene.

One-point, two-point, and three-point perspectives appear to embody different forms of calculated perspective. The methods required to generate these perspectives by hand are different. Mathematically, however, all three are identical: The difference is simply in the relative orientation of the rectilinear scene to the viewer.

Text Reference:

Texture of Movement

Two-Point and Three-Point Perspectives

One-Point Perspectives

Article Mashup about Obama, Madonna and Prada

It's about hope for the future, Madonna had been regarded a playful and sexy part of punk culture who created profoundly discreet fashion at a moment, that's the biggest thing and getting the country back on track again. Miuccia Prada who had been raised up to believe she could do anything she wanted to is not the only designer to have created a look so powerful that it is impossible to miss. They think of her as a beautiful, powerful and fearless rebel who break down the limitations, the barriers, any negative thoughts that you cannot achieve. Over 400,000 copies had been sold to earn her a quadruple platinum whcih is difficult to imagine fashion's elite succumbing to the prints and colors Ms. Prada has invented so beautifully. As a man of attraction, President Barack Obama's pulling power at inauguration who is an American singer who has worn a number of other hats: actress, author and fashion icon. He was attending his first inauguration to experience "the excitement, the positive energy" and perhaps he was the only designer to have come to this point despite herself.


1. Man of attraction: President Barack Obama's pulling power at inauguration

2. Madonna Ciccone: Beautiful, powerful and fearless

3. Review/Fashion;Busy Bees at Prada; Versace Goes Courting

Monday, May 4, 2009

Unreal Tourament Experience 2 Map (File Front)

Sunday, May 3, 2009

REAL TIME IMAGE CAPTURES DEVELOPED UT2004 ENVIRONMENT (Final Submission With Essential Explanation)

Essential Explanation
The idea from the first client Alfred Nobel is identified by the variety of 'way' between the meeting place and his own lab. The purpose of doing this is to indicate the thought of Nobel who doesn't want to assist a man as he attempts to give up; however in the other way, he would rather help the dreamers who have got into trouble. Hence, the 'lifts' have been designed to help them to get back or get in. It is a quite challenging thing for you to find a way going and back.

The second client Jacques-Yves Cousteau who indeed enjoy the world underneath the surface of earth. As a result, his lab is at the very bottom of the ground. Additionally, interconnected spaces have been designed in a very interesting way showing another different world under the ground.

Two ramps are also designed with the ideas of each client which are been displace exterior and interior separately.

It maybe chanllenged to make a trip to Noble's trip. Useing the life by jumping and then it will work. Good Luck!

The 2nd Ramp (Jacques-Yves Cousteau)
This ramp is from meeting space to the interior lab which gives a sense of spacious because it is the way towards to the beneath of the earth surface.

The 1st Ramp (Alfred Nobel)
It seems like going up; however, actually it is horizontal.

The 1st Ramp (Alfred Nobel)
Also, it is not made by separate cylinders.

Nobel's Lab
This lab has been designed to allw an abundance of sunshine.

Cousteau's Lab
This lab has been build at the bottom of the whole architecture accorrding to the idea of Jacques-Yves Cousteau who appreciates the freedom underneath the surface of earth.

Meeting Space
Without any specific decorations, the simple design of this space is to provide Cousteau a chance of approaching to the nature above the ground and simultaneously the two similar eight-cylinders are designed on the purpose of indicating a feeling of concerning according to the idea of Alfred Nobel. (eg. the small one can be prevented from the terrible weather outing by hiding inside the large one.)

Image Captures Showing Draft UT2004

Meeting Space

Spiral Stair to Lab 2

Ramp 2

Ramp 1 and Lab 1

Electroliquid Aggregation

"I would not leave anything to a man of action as he would be tempted to give up work; on the other hand, I would like to help dreamers as they find it difficult to get on in life. "
"From birth, man carries the weight of gravity on his shoulders. He is bolted to earth. But man has only to sink beneath the surface and he is free ."
"Dreamers will be assisted to surmount numerous difficulties and dangers in order to get freedom by sinking beneath the surface of earth."

Week VII

36 Custom Textures
(From Light to Dark)